Artificial Countrysides, the band’s 14th album in an almost 30 year career, centers around the gray zones where the natural world collides with the creeping encroachment of the digital realm, where the balance between real and simulated can shift from one minute to the next. “That title also describes the songwriting process, of world-building or creating an artificial landscape within a song,” explains singer and multi-instrumentalist Andrew Rieger.

Rieger and his Elf Power bandmates — drummer Peter Alvanos and guitarist Dave Wrathgabar, with contributions from keyboard player Laura Carter — have created some of the band’s most expansive musical terrain yet. Along with a blend of fuzz-tone electric and layered acoustic guitars, Moog keyboards and lively drums, the group experimented with the sounds of marimba, Mellotron, harpsichord, synth bass and distorted drum machine loops, taking a try-it-and-see approach to recording in the studio. “I like the challenge of approaching it as a trial-and-error process, so we can spend more time and see what works and what doesn’t,” Rieger says. “We build the songs as we’re coming up with them, instead of rehearsing it to death and then recording it. I’ve always felt like that makes for more interesting music for us.”