The “Maiden, Mother Crone” trilogy combines pagan imagery with modern narratives on women. “The Hag”, or Crone was once seen as wise, but the elderly today are often simply marginalised or overlooked entirely. The “Crone”'s invisibility however, has a plus side. She can be as political as she likes, and many of her songs are just that. The Crone is more outside the gaze of what is expected of women, compared to the other two figures, so is allowed to speak her mind. It is a voice within her voicelessness , and an identity that she herself can construct.
